How to Master in Logic Pro X (Step by Step Guide)
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How To Mix and Master Music in Logic Pro X (w/ Presets) | Decibel Peak.
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– Top 9 Logic Pro X Tips — Sage Audio
Let us know in the comments and feel free to share your experience with us! Your email address will not be published. Save my name, email, and website in this browser for the next time I comment. Editor’s Rating: 4. Lots of you have been telling me about your different solutions in the comments. How many record labels are you signed with? Decibel Peak decibelpeak. September 9, No Comments. If I have a send I want to set to unity I can do that — or If I want my pan pot to go back to its first setting, it works there too.
Notice how a typical pan pot is limited to a small range of the image. However, the binaural pan lets position the signal in very specific ways. There is no rule for that, but around 3 to 4 dB will be nice. I also use the mix knob, so if you use it like how it is, you will do parallel compression. And we came to the fun part, the effects! I have too many buses ready for most of the situations. Those effects are enough to give me what I need quickly, but I always edit them later.
Details always come later in the mix for me. This Logic Pro mixing template lets me do this easily. We have small, medium, plate, long, big, and a massive reverb on the mixing template. Every one of them has a different pre-delay and decay time. Small and medium are room reverbs; long and big are hall reverbs. It has a different character, and I mainly use it on guitars and the percussive sounds.
When I want to replicate a room, I use the small reverb. When I want to take everything in similar places, I use medium reverb. When I want to use the reverb as an effect, I tend to use long, big, and massive ones.
But you can always edit or put an EQ after them. We have a half note, quarter note, eighth note, and a slap delay. Echo is also an eight-note delay, but it has a longer feedback time and a reverb, which I mostly use on synths or guitar solos. And lastly, we have a doubler effect. Bounce this reference master to disk. Import your reference bounce into the useful website loudnesspenalty.
If you want, adjust the limiting in response to your findings. You can use the reference channel to compare a less-compressed master — applying the streaming loudness adjustment using the Gain plug-in. Reprint the master if you decide to go for a greater amount of dynamic range.
Re-import the bounced master into the project and place it on a spare track. Now set a precise start and end point for the audio file. Allow a frame or so of silence at the start. If you still decide to use it, just as with most things in mastering, keep it to a minimum. Load the Stereo Spread plugin and set your Lower Freq. Keep the Lower Int. Set the stage to 4 or 5. Finally, a limiter will catch the loudest transients in your song while increasing its loudness to standard levels.
Limiting is somewhat similar to compressing, but in a much more aggressive way: these plugins will squash any sound that exceeds the threshold , enabling you to have more perceived loudness without clipping. There are two plugins for this job inside Logic: the Limiter and the Adaptive.
With the first one, you will have to dial the release by yourself, as opposed to with the latter, which will automatically adapt the value based on your audio signal.
Both can do a pretty good job but the Adaptive one will sound more natural on most applications so we recommend going with it. After you load the Limiter plugin into your project, insert the Loudness Meter afterward so you can see your audio volume in Lufs. Basically speaking, it is the kind of metering used by streaming services and audio platforms to standardize levels. What each platform does is automatically turn down the gain of any song that is louder than a certain value , so as to create a better experience for the listener.
This value will vary depending on the service. Spotify , for example, normalizes everything to Lufs. The first thing to do after you load the plugin is to set the Out Ceiling value to -1dB. This is a safety measure to ensure better playback of your song through different systems without clipping.
Now, put the Loudness Meter side-to-side with your Limiter window and adjust the Gain knob until your audio is at to Lufs. What dithering does is apply low-level noise to your sound, avoiding any data or quality loss. This is a tip that will also apply for mixing.